The Zohar
The most influential work of Jewish mysticism was, for centuries, shrouded
in mystery.
By George Robinson
That Moses de Leon
authored the Zohar was academic dogma for many decades. Recently however,
scholars?particularly Yehuda Liebes?have proposed that the Zohar is actually a
compilation, written by a group of mystics that included de Leon. The author of
the following article makes passing reference to this academic development, but
its significance is worth emphasizing. The following is reprinted with
permission from Essential
Judaism, published by Pocket Books.
How important is Sefer
ha-Zohar (The Book of Splendor)?
Rabbi Pinkhas of Koretz, a major figure in the first generation of the Hasidic
movement (not to be confused with the medieval Hasidei Ashkenaz), wrote, ?I
thank God every day that I was not born before the Zohar was revealed, for it was the Zohar that sustained me in my faith as a Jew.? Many other Orthodox
Jews would agree with Pinkhas, even today. Michael Fishbane, a contemporary
scholar, has written that the Zohar ?pulses
with the desire for God on every page,? pinpointing part of its appeal. The Zohar has become one of the
indispensable texts of traditional Judaism, alongside and nearly equal in
stature to Mishnah and Gemara (the Talmud).
That Moses de Leon did not receive credit for authoring the Zohar was in large part the result of
his own design. When he began showing pieces of the manuscript to fellow
kabbalists in the 1290s, he passed them off as ancient texts authored by the
second century talmudic sage Simeon bar Yokhai. Rabbi Simeon is best remembered
for the thirteen years that he and his son spent living in a cave in Palestine,
under threat of death from its Roman rulers. During that period of internal
exile, the two men supposedly studied Torah and lived on next to nothing. But
Simeon was rumored to have marvelous powers as well as a lightning intellect,
and if you were going to pick a sage to claim as the author of a mysterious
manuscript, he was a good choice.
Why did de Leon pass off his own writing (or that of a
circle of kabbalists with him at the center, as some recent scholars claim) as
the work of a second-century sage? Undoubtedly, the simplest answer is the
correct one: having a distinguished provenance for the book would give it an
authority that de Leon himself lacked. It also gave him an imaginative freedom
that he might not otherwise have had, and the book soars with that sense of
liberation.
Sefer ha-Zohar is written in Aramaic, a ploy that
de Leon used to establish its ostensible authenticity as an ancient text. But
the Aramaic he uses is full of anachronisms and awkward constructions that
betray its medieval (and Latinate) origins. Moreover, as scholar Gershom
Scholem points out, many of its analyses of Torah are simply too lengthy to be midrashim (exegetical rabbinic texts)
from the classical period, and owe their underlying structure to medieval
Jewish philosophy.
Despite those linguistic peculiarities, at first glance the Zohar appears to be yet another
collection of midrashim on the weekly
Torah readings, organized around the notion of a traveling party of scholars,
led by Simeon bar Yokhai, making their way around Palestine, stopping periodically
to discuss passages from holy texts. And that is, in fact, what the book
consists of. But these midrashim are
unlike any others written before. They are steeped in the vocabulary of
kabbalah, and interpret Torah in ways that are completely unlike, say, Midrash Rabbah [a major work of rabbinic
commentary and exegesis].
The purpose of these interpretive speculations is quite
different, too. As Fishbane says, ?Recovering theosophical truths in the
teachings of Torah, the mystics ascend exegetically into God.? The Zohar reads Torah in a way that turns
that sacred text into a complex set of codes and keys to a higher reality.
Torah is seen not merely as sacred text, as law, myth, and narrative, as a
statement of love of Adonai (God); for Simeon and his companions?and the
readers who travel with them in the book?s pages?Torah is part of the very
essence of God, and to read Torah in their manner is to touch the wisdom and
energy of the Eternal. Thus, Torah study becomes a form of elevated
spirituality in itself, an intensification of the traditional importance of
study of sacred text in Jewish practice.
Sefer ha-Zohar is
the first work to fully enunciate an idea developing in mystical circles in
Spain earlier that century, the Gnostic notion promoted by the Kohen brothers
that there are a ?left side? and a ?right side? within the cosmos that are in
constant struggle, with the former representing the satanic elements present
within the Divine itself. The doctrine of the Ten Sefirot receives its most refined and fullest explication here as
well.
From ESSENTIAL JUDAISM by George Robinson. Copyright
(c) 2000 by George Robinson. Reprinted by permission of Atria Books, a
Division of Simon & Schuster, Inc.
George Robinson is the
recipient of a Simon Rockower Award for excellence in Jewish journalism from
the American Jewish Press Association. His writing has appeared in The New
York Times, The Washington Post, Newsday, Jewish Week, and the Detroit
Jewish News.