English 604
Fall 2004
-Lords of Misrule: Wit and Sex in the Aristocratic Satires of Rochester and Byron.
-Versions of the Mock-Heroic from Dryden to Byron (or Pynchon).-Heroic Couplets and Binary Ideas in Satire.
-Urban Satire: Images of the City from Juvenal to Pynchon.
-Overworlds and Underworlds: Satiric Inversions; or the Conflict between the Social and the Moral.
-Gendered satire: Satire as Male Aggression--Women as Satiric Victims.
-Charles II, George II, and George III: Satirizing Monarchs (and All They Stand For).
-The Satirist Satirized: Escaping the Attacker's Trap.
-The Satirist and the Social Position of the Author.
-Satire and the Position of the Reader-Readers as Satiric Victims.
-Satire and Sentiment: Sympathy and Attack.
-The Travels of the Satiric Hero: Open Structures and Dead Ends.
-Creating Satiric Constructions: Devising the Satire of Culture.
-Creating Dislocated Perspectives: The Art of (Mis)Seeing.
-Conservative and Radical Satire: Is satire politically neutral, only instrumental, or implicitly political?
-Entropy and Regressive History-Lucian to Swift to Pope to Pynchon.
-Collapsing Orders: Modernism, Postmodernism, and Satire.